Philippine plazas featured in new commemorative stamps for Heritage Month

May 7, 2026 - 8:00 AM
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Historic town plazas across the Philippines have been featured in a new set of commemorative stamps released by the Philippine Postal Corporation (PHLPost), in line with the observance of National Heritage Month.

The stamp series highlights several well-known public squares that have long functioned as central gathering spaces in Filipino communities. These plazas have historically served as venues for social, religious, political, and cultural activities.

More than open spaces in towns and cities, Philippine plazas are considered symbolic centers that reflect the country’s layered history and evolving community life. Many are surrounded by churches, municipal halls, and heritage structures that show a blend of indigenous and colonial influences.

Featured in the collection are Sta. Barbara Plaza in Iloilo, Bacolod City Plaza in Negros Occidental, Tabaco Plaza in Albay, Vigan Plaza in Ilocos Sur, Zamboanga Plaza in Zamboanga del Sur, San Carlos Plaza in Pangasinan and Plaza Roma in Intramuros, Manila.

The stamps were designed by PHLPost in-house artist Jose Antonio Jayme, in coordination with Judith Neric of Filipino Heritage Festival Inc. The images used in the series were credited to architect Paulo Alcazaren, a landscape architect and urban planner known for his work and research on Philippine public spaces.

Alcazaren has documented numerous plazas across the country, focusing on their historical and cultural significance as enduring public spaces.

PHLPost said it uses philately as a way of telling stories about Filipino identity and heritage.

“PHLPost uses philately as a storytelling medium—turning small pieces of postage into educational and collectible artifacts that celebrate Filipino identity. It promotes awareness and appreciation of the nation’s cultural legacy,” it said.

The stamp release forms part of PHLPost’s observance of National Heritage Month, which highlights cultural landmarks and historical identity across the country.

—With John Marwin Elao